Day 7: Spider-Woman #6 - Carmine Infantino, pencils; Steve Leialoha, inks (1978)
I first learned babies came from in the first grade (on the same day I discovered the true identity of Santa Claus, too). I understood the physics behind the male/female union, but I never understood the motivation. "Ick," I remember thinking. Later that year, I saw this cover, and everything made perfect sense. Spider-Woman's costume design has always been a provocative one, as the piping in the front accentuates the positives, but never have her assets been on a more, uh, selective display as they are, as the ropes not only bind her, they also...well...just look. William Moulton Marston would have been so proud.
Man Who Sold His Soul to the Devil
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